展讯 Exhibition Information
艺术家 Artist：lilyma 马莉
策展人 Curator：赵叶索 Narcis Zhao
艺术顾问 Art Consultant：单钰 Shane
2026年7月24日-2026年8月24日
July 24th, 2026 - August 24th, 2026
开幕时间 Opening：2026.7.24 16:00
地址 Venue：NON 艺术空间 NON Space
中国北京市朝阳区东坝镇半截塔路郎园Station D5-1
Langyuan Station D5-1, Banta Road, Dongba Town, Chaoyang District, Beijing, China
特别支持 Special Support：
陈世海 Chen shihai 【义笙万 Yi Sheng Wan】
纪录片 Documentary：
许臣斌 Sandy Xu、陈恩及 Chen Enji
Reviews评论
包林 教授
Professor Bao Lin
艺术家，清华大学美术学院博士生导师
Artist, PhD Supervisor of Academy of Arts & Design, Tsinghua
马莉将自己的感受和经历变为两种呈现：画本与文本，有两只笔相互鼓励。这样的画属“中得心源”的表达。马莉用最直接的方法在画画，而我们则会从这些画中看到人性最普遍的东西——感性的逻辑与鲜活。另外，我一直质疑女性主义的标签，更不会把这个标签贴在马莉身上，如果说有许多女性的绘画包含着对镜像的追求，这或许是来自他者的目光与自己的目光互换的一种想象，但其实女人男人都一样，大都与“主义”
无关，看与被看，只与好看有关，好看则多看，只与审美有关。不过我也认为，艺术从属性上讲女人占优，因为感性是形式呈现的唯一来源，因其感性，马莉的画与文则因本能而生，才可能引发他者的共鸣。
Ma Li (lilyma) transforms her feelings and experiences into two forms of expression: painting and writing—two pens that encourage each other. Her
paintings embody the principle of zhong de xin yuan (deriving from the inner source of the heart). She paints in the most direct way, and through her
works we perceive the most universal human qualities—the logic of emotion and a vibrant aliveness. I have always questioned the label of "feminism,"
and I would never attach it to Ma Li. If many women's paintings involve a pursuit of the mirror image, that may be an imagined exchange between the
gaze of the other and one's own gaze. But in truth, men and women are largely the same—neither has much to do with "-isms." Seeing and being seen
have only to do with being beautiful; if it is beautiful, one looks longer—it is simply about aesthetics. Nevertheless, I do believe that in terms of innate
disposition, women have an advantage in art, because sensibility is the sole source of formal presentation. It is precisely because of her sensibility
that Ma Li's paintings and writings arise from instinct, and thus have the power to resonate with others.
艺术品身份证发明者、艺术品私人遗产协会（A3P）前主席、收藏家俱乐部前副主席、18至19世纪艺术专家及收藏家
Inventor of the artwork ID (1994) patent registration；Former President of the Association for Artwork Private Heritage (A3P) ；Former Vice President of the Collectors' Club；Art experts and collectors of the 18th and 19th centuries.
她的绘画最触动人心之处，在于那种近乎普世的渴望——重返自然。透过她的花园和她的花卉风景作品，马莉邀请我们重新连接那有时已与之疏远的世界。她的画布并非试图复制自然，而是传递自然的呼吸。色彩在那里迸发着一种自由，唤起了真正的植物幻想——在那片丰茂之中，光、花与季节谱写着真实的诗篇。马莉画的不仅仅是她所见的。她聆听自然，她注视自然，她呼吸自然。每一件作品都仿佛诞生于艺术家与生命之间的一场静默对话。花朵成为语言，色彩化作情感，枝叶凝为记忆。面对她的画作，观者寻回了某种本质的东西：一种归属于一个美依然存在的世界的感觉。这大概就是她作品的力量所在——提醒我们，自然始终是最伟大的艺术家之一，而画家若能懂得倾听，便可成为它最忠实的诠释者。
What touches the heart most in her paintings is that almost universal longing—to return to nature. Through her gardens and her floral landscapes, Ma Li invites us to reconnect with a world from which we have sometimes grown distant. Her canvases do not seek to reproduce nature; they convey its very breath. Colors burst forth with a freedom that evokes a true botanical fantasy—a profusion in which light, flowers, and seasons compose an authentic poetry. Ma Li does not merely paint what she sees. She listens to nature, she watches it, she breathes it. Each work seems born of a silent dialogue between the artist and the living. Flowers become a language, colors an emotion, foliage a memory. Before her paintings, the viewer rediscovers something essential: the feeling of belonging to a world where beauty still exists. This is perhaps where the power of her work lies—reminding us that nature remains one of the greatest artists, and that the painter, when she knows how to listen, can become its most faithful interpreter.
策展人Curator
赵叶索 Narcis Zhao
北京大学艺术系硕士，演员、导演、制片人、跨界策展人。
Narcis Zhao holds a Master of Arts from Peking University's Department of Art. She works as an actress, director, producer, and curator across disciplines.
lilyma马莉的画作，向来是关于“生长”的叙事。
从为《玫瑰的故事》中黄亦玫注入画笔下的灵魂，到如今《春色》特展中的系列新作，她始终在描绘一种“不可战胜”的力量——那是加缪笔下的夏天，是即便身处严冬也依然在内心燃烧的热望。
这些新作里，春色不是柔弱的绽放，而是从冻土中挣裂而出的、生命蓬勃的勇气。马莉用明艳到近乎灼目的色彩，提醒我们：真正的春天，从来不是季节的恩赐，而是一个人选择在心中豢养的朝阳。
每一笔都是对抗——对抗平庸，对抗遗忘，对抗所有试图让人黯淡下去的日常。她用赞美本身，完成赞美对生命最有力的回应。
愿你在NON，遇见那个同样不可战胜的自己。
lilyma Ma Li's paintings have always been narratives of "growth."
From infusing the soul into Huang Yimei through her brush in The Story of Rose, to her new series in the Spring Flora exhibition, she has consistently depicted an "invincible" force — that is the summer of Camus, a blazing desire that burns within even in the depths of winter.
In these new works, spring is not a fragile bloom, but the courageous vigor of life bursting forth from frozen soil. With colors so brilliant they nearly dazzle, Ma Li reminds us: true spring is never a gift of the season, but a rising sun that one chooses to cultivate in one's own heart.
Every brushstroke is an act of defiance — against mediocrity, against oblivion, against all the everyday that seeks to dim us. Through praise itself, she completes praise's most powerful response to life.
May you, at NON, encounter that same invincible self within you.
策展人、艺评人、自媒体博主。毕业于中央美术学院艺术管理系；韩国美术学博士生。拥有画廊、媒体、美术馆、拍卖行等艺术全领域从业经历。
Curator, art critic, and self-media blogger. Graduate of the Department of Arts Management at the Central Academy of Fine Arts (CAFA); currently a doctoral candidate in Fine Arts in South Korea. Has extensive working experience across all sectors of the art industry, including galleries, media, art museums, and auction houses.
“春色”并非对季节景色的描绘，而是一种状态的命名，它指向生机在阻碍中的涌现，指向色彩在边界处的溢出。艺术家lilyma马莉个展《春色》，以“对话”为隐线，在人与自然、人与生命、人与人之间，纯粹的女性视角和生活沉浸式体验，并尝试男性观察视角，在情绪与表达、理想与日常之间铺设了通途。这些看似对峙的范畴，在她的画布上并不构成冲突，而是一种持续的互文与协商。
"THE LINGERING SPRING" is not a depiction of seasonal scenery, but a naming of a state — it points to the emergence of vitality amidst obstruction, to the overflow of color at the boundaries. In artist lilyma Ma Li's solo exhibition THE LINGERING SPRING, "dialogue" serves as the underlying thread — weaving between human and nature, human and life, and human and human. It presents a purely feminine perspective and an immersive life experience, while also attempting a masculine observational viewpoint, paving a passage between emotion and expression, between the ideal and the everyday. These seemingly oppositional categories do not constitute conflict on her canvas; rather, they form a continuous intertextuality and negotiation.
现场与花絮 News
花 间 集
Among the Flowers a Pot of Wine
lilyma马莉&陈世海先生的《花间一壶酒》品赏
主讲人 Host 陈世海 Chen shihai lilyma马莉
策划人 Planner 赵叶索Zhao Yesuo 张桂彬 Zane
2026年7月25日下午 15:30pm at NON 艺术空间
中国 北京 朝阳区东坝镇半截塔路 郎园Station D5-1
lilyma马莉&陈世海先生的《花间一壶酒》品赏
2026年7月26日下午 14:30pm at 郭晓峰直播间
主播 Host 郭晓峰 Guo Xiaofeng （演员）
助播 Host 陈世海 Chen shihai （義笙萬冬酿花雕创始人、出品人、酿酒人）
嘉宾 Guest lilyma马莉 （艺术家）
策划人 Planner 赵叶索Zhao Yesuo 张桂彬 Zane
2026年7月26日下午 14:30pm at NON 艺术空间
中国 北京 朝阳区东坝镇半截塔路 郎园Station D5-1
展出作品 ARTWORKS & News
Lily Ma occupe aujourd’hui une place particulière dans le paysage artistique contemporain. Sa galerie permanente sur Art Trends accompagne l’intérêt grandissant que suscite son œuvre auprès du public asiatique et international.
Ce qui touche profondément dans sa peinture, c’est ce désir presque universel de retrouver la nature. À travers ses jardins, ses magnolias, ses roses et ses paysages floraux, Lily Ma nous invite à renouer avec un monde dont nous nous sommes parfois éloignés.
Ses toiles ne cherchent pas à reproduire la nature ; elles en transmettent le souffle. Les couleurs y éclatent avec une liberté qui évoque une véritable fantaisie végétale, une profusion où la lumière, les fleurs et les saisons composent une poésie authentique.
“The Lingering Spring” is not a depiction of seasonal scenery, but a naming of a state—one that points to vitality emerging through obstacles, and colors spilling beyond boundaries. Artist Lilyma’s solo exhibition The Lingering Spring takes “dialogue” as its underlying thread—dialogue between human and nature, human and life, human and human. It weaves a purely feminine perspective with immersive lived experience, while also attempting a male observational viewpoint, building a thoroughfare between emotion and expression, ideals and everyday life. These seemingly opposing categories do not constitute conflict on her canvas, but rather a continuous intertextuality and negotiation.
Within Lilyma’s body coexist two textures. One is the tenderness and sensitivity of a woman from Jiangnan—delicate as the misty diffusion of her watercolors. The other is a near-masculine solidity and power—decisive and bold as the assured fluency of her layered oils. This is not a confusion of gender identity, but the complete acceptance of one’s own energy by a whole being. Over a decade of experience in traditional Chinese opera endowed her with a disciplined bodily-spiritual interplay; her training as a film and television director taught her verbal expression. But painting gave her an absolute freedom—here, softness and strength need not take sides, gender need not be emphasized, and isms need not confront one another. They can all coexist.
马莉无论画什么都画得很有情色，这也本是数字化技术发达的今天绘画得以延续的内在价值。例如她在法国画的系列组画《冬日巴黎》，我曾在巴黎多年，一直觉得冬日的巴黎并不浪漫，我也见过很多法国画家笔下的冬日巴黎，大都萧瑟、阴沉。马莉2017年冬季创作的巴黎组画是她的恋情之旅的自白，画自己、画爱人，背景是塞纳河、埃菲尔铁塔、小巷里的咖啡馆等，大量的纸本速写也是随性的日记。感性、率性、玫瑰欲望、不雕琢，色彩饱和、透明，不反复涂抹。看得出，这组《冬日巴黎》是马莉人生中最缠绵的一段，也是画得最多的一段，且一气呵成。
No matter what subject matter Ma Li paints, she paints passionately，splendidly and “erotically”, which is also the intrinsic value permeating into today's digital art. For example, she painted a series of paintings "Winter Paris" in France. I have been in Paris for many years, and I have always felt that winter Paris is not romantic. I have also seen many winter Paris painted by French painters, mostly bleak and gloomy.
Ma Li's Paris paintings in the winter of 2017 are confessions of her love journey, painting herself and her lover, with the background of the Seine River, the Eiffel Tower, cafes in alleys, etc. A large number of paper sketches are her personal diaries. It reflects sensibility, frankness, rose-tinted romance, spontaneity, color saturation, transparency, with no repeated smearing. It can be seen that this group of "Winter Paris" is the most touching part of Ma Li's life, and it is also the most painted part, and it was completed at one go.
2026年7月26日下午15:00，NON艺术空间将迎来一场跨界艺术盛宴——《春色》lilyma马莉2026北京个展系列活动之“花间·山月”郭晓峰绍兴酒直播首秀。
本次活动由演员郭晓峰担任主播，福布斯中国杰出匠人陈世海担任助播，艺术家lilyma马莉作为嘉宾出席。直播将重磅推出黄酒大匠陈世海与画家lilyma马莉联名款“花间”和“凡月山”冬酿黄酒。郭晓峰与马莉是导演系同班同学，也是20多年好友。这次借个展的机会，与陈世海先生，一起为马莉同学献上一份活动的行动支持。
On July 26, 2026, at 3:00 PM, NON Art Space will host a cross‑disciplinary art party — “Among the Flowers a Pot of Wine, Mountains and Moon” (“Hua Jian · Shan Yue”), Guo Xiaofeng’s Shaoxing wine livestream debut, as part of the “THE LINGERING SPRING” lilyma Ma Li 2026 Beijing Solo Exhibition series.
The livestream will be hosted by renowned actor Guo Xiaofeng, with Forbes China Outstanding Artisan Chen Shihai as co‑host, and artist lilyma Ma Li as a special guest. The event will feature the exclusive launch of two collaborative winter‑brewed Shaoxing wines: “Hua Jian” and “Fan Yue Shan,” created by master brewer Chen Shihai and painter lilyma Ma Li. Guo Xiaofeng and Ma Li are classmates from the same directing program at the Beijing Film Academy and have been close friends for over 20 years. Taking this solo exhibition as an opportunity, together with Mr. Chen Shihai, they are offering their active support to their friend Ma Li.
7月25日下午，在lilyma马莉的《春色》 THE LINGERING SPRING个展展厅里，举办了《花间集》Among the Flowers a Pot of Wine lilyma马莉&陈世海先生的《花间一壶酒》品赏雅集。
主讲人 Host 陈世海 Chen shihai
嘉宾 Guest lilyma马莉 （艺术家）
策划人 Planner 赵叶索 Narcis Zhao
2026年7月25日下午 15:30pm at NON 艺术空间
中国 北京 朝阳区东坝镇半截塔路 郎园Station D5-1
从为《玫瑰的故事》中黄亦玫注入画笔下的灵魂，到如今《春色》特展中的系列新作，lilyma马莉始终在描绘一种“不可战胜”的力量——那是加缪笔下的夏天，是即便身处严冬内心也依旧不改燃烧的热望。
From infusing the soul into Huang Yimei's character through the brush in THE TALE OF ROSE, to her latest series of new works in THE LINGERING SPRING special exhibition, lilyma has always been portraying an "invincible" force — that is the summer in Albert Camus's writings, a burning desire that remains unwavering within the heart even in the depths of winter.
NON艺术空间将于7月24日荣幸呈现艺术家lilyma马莉的个展《春色》。作为一名跨学科艺术家，马莉曾获第四、六届国际达芬奇奖·巴黎国际奖·伦敦当代艺术家奖等荣誉。作品多次在法国、意大利、英国、西班牙等国家展出。同时在热播电视剧《玫瑰的故事》中黄亦玫美术作品均由Lilyma马莉原创。
NON Space is pleased to present artist Lilyma's solo exhibition The Lingering Spring on July 24. As an interdisciplinary artist, Lilyma has received honors including the 4th and 6th International Da Vinci Awards, the Paris International Prize, and the London Contemporary Artist Award. Her works have been exhibited in France, Italy, the United Kingdom, Spain, and other countries. Additionally, the original artworks by Huang Yimei in the hit TV series The Tale of Rose were all created by Lilyma .
作品：《莫莉花色》1
Moli’s Heart: The Fantasy
50x60cm 油画画布 Oil painting on canvas
艺术家 Artist: lilyma马莉 2016
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2021/ 2024/ 2025
画册Artbook｜《情绪与表达》Emotion and Expression’ 2016-2021, lilyma马莉
演PERFORMANCE｜电视剧《玫瑰的故事》The Tale of Rose 2024
展Exhibition｜HOW昊美术馆个展《尤物》STUNNER-2024年
刊登PUBLISH｜瑞士COTE杂志 2024
展Exhibition｜第30届上海电视节白玉兰奖（颁奖典礼）2025
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刊登 Published｜ART TRENDS：Derrière la toile de l’art de Huang Yimei dans
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展EXHIBITION｜海上故事《尤物》STUNNER PART 13｜我乃好色之人 I am a curious person
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文Article｜花酒 A Song in Every Cup
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文Article｜姐妹谈谈《玫瑰的故事》黄亦玫画作背后 Behind the Canvas of Huang Yimei's Art
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文Artical｜莫莉花色 Moli's Fantasy ：侧面的强迫症 My OCD
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图文作品 Photo｜莫莉花色 Moli’s Fantasy
作品：《莫莉花色2：粉色沙滩》
The Fantasy:The pink beach
50x60cm 油画画布 Oil on canvas/混合材料 Mixed materials
艺术家 Artist: lilyma马莉 2021-2022
演PERFORMANCE｜电视剧《玫瑰的故事》The Tale of Rose 2024
展Exhibition｜HOW昊美术馆个展《尤物》STUNNER-2024年
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2024/ 2025
刊登PUBLISH｜瑞士COTE杂志 2024
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展EXHIBITION｜HOW昊美术馆个展《尤物》STUNNER-2024年8月10日-10月27日
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刊登 Published｜ART TRENDS：Derrière la toile de l’art de Huang Yimei dans
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文Article｜情感的表达和隐喻，用在了《玫瑰的故事》里 The Tale of Rose, there is metaphors
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文Article｜lilyma 马莉特刊丨从舞台到画布：在跨界中绽放的绘画
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文Article｜我乃好色之人 I am a curious person
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文Article｜数学系和哲学系合并了 The Mathematics and Philosophy have merged
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文Article｜访谈｜陈世海《回眸》第一集：lilyma马莉（下）
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图文作品 Photo｜莫莉花色2：粉色沙滩 The Fantasy 2
作品：《春色｜玉兰花》1
Spring Flora Lexicon｜Magnolia
24x30cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2026
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2026
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图 Photos｜春色满园 Where Spring Spills Everywhere
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刊登Published｜ART TRENDS：Lilyma, Drinking Rice Wine and Painting ｜法国《艺术趋势》杂志
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图 Photos｜春色｜玉兰花 Magnolia 1
作品：《春色｜玉兰花》14
Spring Flora Lexicon｜Magnolia
100x100cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜玉兰花 The Double Life of Magnolia
作品：《春色｜玉兰花》6
Spring Flora Lexicon｜Magnolia
50x60cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜玉兰花 Magnolia 6
作品：《工作室里的双色朱槿花》 5（写生）
The Red and Pink Hibiscus in my studio have bloomed(Sketch)
25x25cm 水彩 Watercolors/ 墨水 Inks/ 丙烯 Acrylic
艺术家 Artist: lilyma马莉 2026
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图 Photos｜工作室里的双色朱槿花 5
作品：《浸上花香作衣裳》写生
In the company of flowers, immerse oneself in their fragrance and make it one's clothing(Sketch)
25x21cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2023
作品：《春色：人间尤物2 （朱槿芍药牡丹）》
Spring Flora Lexicon｜Hibiscus, peony, rose, and Miss MoLI(Sketch)
41x31cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2025
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刊登Published｜ART TRENDS：芍药葳蕤，百岁华之 Pivoines, éclat de luxuriance
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图 Photos｜春色|人间尤物 2 （朱槿芍药玫瑰）
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文Artical｜春夏之间的浪漫，是我和大自然的浓情低语
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文Artical｜秋来春去，又一年 Autumn Arrives, Spring Departs
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文Artical｜芍药鸢尾牡丹季节，春色如此娇美 Peony, Iris, and Tree Peony Season
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文Artical｜红玫瑰，丝绒一样的花瓣——像指尖划过的肌肤 Red Rose, velvet-like petals, like fingertips brushing over skin
作品：《鸢尾》（拈花杯设计）
Spring Flora Lexicon｜The Irises
A4｜水彩 Watercolors/ 色粉 Pastel
艺术家 Artist: lilyma马莉 2025
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文Article｜花酒 A Song in Every Cup
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图 Photos｜紫气东来，lilyma马莉的鸢尾世界 Irises
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文Article｜访谈｜陈世海《回眸》第一集：lilyma马莉（下）
作品：《铁线莲-多蓝》Clematis Flower
26x38cm 水彩 Watercolors/ 墨水 Inks
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜铁线莲-多蓝 Clematis Flower
作品：《紫色鸢尾》 44
Purple irises
41x31cm 水彩 Watercolors/色粉 Pastel
艺术家 Artist: lilyma马莉 2025
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图 Photos｜春色｜鸢尾（爱丽丝）Purple irises
作品：《黄牡丹》写生 5
Spring Flora Lexicon: Yellow Tree Peonies(Sketch)
53x38cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
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图 Photos｜春色｜黄牡丹写生 Yellow Tree Peonies 5
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文Artical｜春夏之间的浪漫，是我和大自然的浓情低语 A Love Affair with Earth's Whispers
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文Artical｜轻风细语，花间一壶酒Yellow Rice Wine Inspired, Whispering Flowers
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图 Photos｜我的牡丹，花开富贵，国色天香
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文Artical｜芍药鸢尾牡丹季节，春色如此娇美 Peony, Iris, and Tree Peony Season
作品：《工作室里盛开的三角梅和朱瑾》写生
The bougainvillea and hibiscus
in full bloom in the studio（Sketche）
51x36cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
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图 Photos｜春色｜工作室里盛开的三角梅和朱瑾
作品：《芍药开在青年节（正青春）》写生
Peonies on Youth Day 2022 (Sketch)
25x21cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2022
展Exhibition｜HOW昊美术馆个展《尤物》STUNNER-2024年
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图文作品 Photo｜红玫瑰 Red Rose velvet petals
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文Artical｜4000年的“五月花神”芍药 May's Blushing Bride: The Peony Revelation
作品：《杏花树下听音乐》写生
Listen to music under the Apricot tree
34x20.4cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
lilyma Ma Li’s paintings have always been narratives of “growth.”
From infusing the soul into Huang Yimei through her brush in The Story of Rose, to her new series in the Spring Flora exhibition, she has consistently depicted an “invincible” force — that is the summer of Camus, a blazing desire that burns within even in the depths of winter.
In these new works, spring is not a fragile bloom, but the courageous vigor of life bursting forth from frozen soil. With colors so brilliant they nearly dazzle, Ma Li reminds us: true spring is never a gift of the season, but a rising sun that one chooses to cultivate in one’s own heart.
Every brushstroke is an act of defiance — against mediocrity, against oblivion, against all the everyday that seeks to dim us. Through praise itself, she completes praise’s most powerful response to life.
May you, at NON, encounter that same invincible self within you.
马莉在当代艺术景观中占据着一个独特的位置。她在《艺术趋势》上的常设画廊，伴随着亚洲及国际观众对其作品日益增长的兴趣而不断延伸。她的绘画最触动人心之处，在于那种近乎普世的渴望——重返自然。透过她的花园、她的玉兰、她的玫瑰和那些花卉风景，马莉邀请我们重新连接那个我们有时已与之疏远的世界。她的画布并非试图复制自然，而是传递自然的呼吸。色彩在那里迸发着一种自由，唤起了真正的植物幻想——在那片丰茂之中，光、花与季节谱写着真实的诗篇。
Lily Ma occupies a distinctive place in the contemporary art world today. Her permanent gallery on Art Trends reflects the growing interest her work has generated among both Asian and international audiences. What moves us so deeply in her painting is that near-universal longing to return to nature. Through her gardens, her magnolias, her roses, her floral landscapes, Lily Ma invites us to reconnect with a world from which we have sometimes drifted away. Her canvases do not seek to reproduce nature; they carry its breath. The colors burst forth with a freedom that evokes a true botanical fantasy, a profusion in which light, flowers, and seasons compose an authentic poetry.
七月，整个月，赵叶索和我，都在以《春色》为主题，办一个夏日的个展。就讲讲每年我最忙之春色观与落笔。
春色于我，记下来的少，看得更多，春发、春情、生命力。
我联名的花酒也都是春花，当初创始人陈世海先生和我说起做花酒。我讲，我不画生活里没有的，要画我所见、所熟悉、所爱，也种过的花儿。
自我十岁起学戏曲，到北京电影学院学导演、再到绘画，早就厌烦了形式大于内容，假模假式走捷径。离开舞台时，20出头，便帮自己定了规矩：不演了。不想演了。我就要看看什么是真实。也是知道自己聪明的，常常警告自己不可擅用小聪明。
“真”是美的设计，“真”是对过去时光最大的尊重。
便和画廊策展人们有了这一面花酒墙的设定。⬇️
不得不讲，这一系列《春色｜玉兰花（双生花）》，还真是我在年初画花酒手绘版得出的变数。
Throughout July, Narcis Zhao and I have been hosting a summer solo exhibition under the theme THE LINGERING SPRING. It's about how I observe spring—the busiest season of my year—and how I put brush to paper.
For me, spring is more about watching than recording: the stirring of life, the vitality, the very pulse of the season.
The “Among the Flowers a Pot of Wine”are also made from spring blossoms. When Mr. Chen Shihai, the founder, first talked to me about creating flower wines, I told him: I don't paint things that aren't in my life. I paint what I see, what I know, what I love—and what I've actually grown.
Ever since I started studying Chinese opera at age ten, then went to film academy to study directing, and later turned to painting, I've long been tired of empty gestures and shortcuts that prioritize form over substance. When I left the stage in my early twenties, I set a rule for myself: no more performing. I didn't want to act anymore. I just wanted to see what was real.
I know well enough that I'm clever, yet I frequently caution myself against resorting to cunning shortcuts.
'Truth' is the essence of beauty; 'truth' is the greatest respect one can pay to the passage of time.
That's how this wall of “Among the Flowers a Pot of Wine” came to be, in collaboration with the gallerists and curators.
电视剧《玫瑰的故事》，导演汪俊，美术指导王竞。
美术组是非常优秀的团队，自2022年10月底到拍摄完毕的23年11月，有着长达一年的选画和沟通。若是画作与剧情、与人物、与观众有共情和融合，那么只能说真诚和真挚的情感是纠缠和共鸣的。
这幅在29集和32集美术馆密室的《粉红沙滩》26号，是基于选画。构图便是《情绪与表达》画册中《粉红沙滩》1号，画于2016年。
The TV drama "The Tale of Rose" is directed by Wang Jun, with art direction by Wang Jing.
The art team is a very excellent group. From the end of October 2022 to the completion of filming in November 23, there was a year-long process of selecting and communicating with me. If the artwork resonates with the plot, characters, and audience, it can only be said that sincere and genuine emotions are intertwined and resonant.
The artwork "Pink Beach No.26" in episodes 29 and 32 of the art gallery's secret room is based on the selected artwork. The composition is based on the first piece "Pink Beach No.1" of my art book "Emotion and Expression" , painted in 2016.
《莫莉花色2：粉色沙滩》、《工作室的粉色朱槿花开了 2》、《春日印象：画前的山桃花》、《红色玫瑰（红与黑）联画1》四幅作品参加了第三届包头艺术博览会
Four works, namely "Molly's Color 2: Pink Beach", "The pink hibiscus flowers in the studio have bloomed2", "Spring Impressions：The peach blossoms in front of my paintings", and "Red Rose (Red and Black) Collage 1", participated in the Third Baotou Art Expo.
陈世海，中国传统绍兴黄酒研究专家，蝉联2023、2024年“福布斯中国杰出匠人”称号，是中国黄酒界唯一获此殊荣者。
陈世海的人生经历堪称传奇。他曾是当红广播电视主持人，后转型为报社总编辑，再跨界执掌千人员工的企业，最终投身黄酒事业。一路身份转换的背后，不变的是他与酒的深厚缘分。他创办了義笙萬、義雲酿、醉凡塵三个冬酿纪年黄酒品牌，并担任中国黄酒传统酿造技艺研究中心研究员。
在陈世海看来，黄酒“不是费时费力的买卖，而是‘时间的味道’，叫人在等待之后格外幸福”。他始终坚持古法冬酿——冬至酿酒、惊蛰榨酒封坛，讲究天时、地利、人和。他坚信“冬酿”意味着全手工酿造与遵从古法、完全按节气流转酿酒。绍兴黄酒酿成后需久储陈化方能生成迷人风味，故又称“老酒”。
此次品赏会上，陈世海将回顾十年酿酒的心路历程与实践经验，讲授绍兴冬酿黄酒的酿造与品鉴之道，并与艺术家lilyma马莉一同带领嘉宾品鉴“花间”系列十五年陈冬酿花雕酒、双宫灯牌绍兴冬酿黄酒·12年陈（凡月山）。
她的绘画最触动人心之处，在于那种近乎普世的渴望——重返自然。透过她的花园和她的花卉风景作品，马莉邀请我们重新连接那有时已与之疏远的世界。她的画布并非试图复制自然，而是传递自然的呼吸。色彩在那里迸发着一种自由，唤起了真正的植物幻想——在那片丰茂之中，光、花与季节谱写着真实的诗篇。马莉画的不仅仅是她所见的。她聆听自然，她注视自然，她呼吸自然。每一件作品都仿佛诞生于艺术家与生命之间的一场静默对话。花朵成为语言，色彩化作情感，枝叶凝为记忆。面对她的画作，观者寻回了某种本质的东西：一种归属于一个美依然存在的世界的感觉。这大概就是她作品的力量所在——提醒我们，自然始终是最伟大的艺术家之一，而画家若能懂得倾听，便可成为它最忠实的诠释者。
What touches the heart most in her paintings is that almost universal longing—to return to nature. Through her gardens and her floral landscapes, Ma Li invites us to reconnect with a world from which we have sometimes grown distant. Her canvases do not seek to reproduce nature; they convey its very breath. Colors burst forth with a freedom that evokes a true botanical fantasy—a profusion in which light, flowers, and seasons compose an authentic poetry. Ma Li does not merely paint what she sees. She listens to nature, she watches it, she breathes it. Each work seems born of a silent dialogue between the artist and the living. Flowers become a language, colors an emotion, foliage a memory. Before her paintings, the viewer rediscovers something essential: the feeling of belonging to a world where beauty still exists. This is perhaps where the power of her work lies—reminding us that nature remains one of the greatest artists, and that the painter, when she knows how to listen, can become its most faithful interpreter.
“春色”并非对季节景色的描绘，而是一种状态的命名，它指向生机在阻碍中的涌现，指向色彩在边界处的溢出。艺术家lilyma马莉个展《春色》，以“对话”为隐线，在人与自然、人与生命、人与人之间，纯粹的女性视角和生活沉浸式体验，并尝试男性观察视角，在情绪与表达、理想与日常之间铺设了通途。这些看似对峙的范畴，在她的画布上并不构成冲突，而是一种持续的互文与协商。
"THE LINGERING SPRING" is not a depiction of seasonal scenery, but a naming of a state — it points to the emergence of vitality amidst obstruction, to the overflow of color at the boundaries. In artist lilyma Ma Li's solo exhibition THE LINGERING SPRING, "dialogue" serves as the underlying thread — weaving between human and nature, human and life, and human and human. It presents a purely feminine perspective and an immersive life experience, while also attempting a masculine observational viewpoint, paving a passage between emotion and expression, between the ideal and the everyday. These seemingly oppositional categories do not constitute conflict on her canvas; rather, they form a continuous intertextuality and negotiation.
作品：《胭脂荼蘼：冬后第一批玫瑰与蔷薇》
ROSA RUBUS|My first roses of 2021
50x60cm 油画画布 Oil painting on canvas
艺术家 Artist: lilyma马莉 2021
展EXHIBITION｜意大利西西里岛巴勒莫EFFETTO ARTE画廊 2021年9月-10月 EFFETTO ARTE GALLERY,Palermo in via Ariosto, 19, Italy
刊登PUBLISH｜国际当代艺术杂志 Art International Contemporary Magazine 2021年9-10月刊
演PERFORMANCE｜电视剧《玫瑰的故事》The Tale of Rose 2024
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2024/ 2025
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展EXHIBITION｜意大利巴勒莫国际艺术双年展 International Biennial of Art in the World 2021
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刊登Published｜国际当代艺术杂志 2021年9-10月刊 Art International Contemporary Magazine
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文Artical｜情绪与表达｜冬后第一批玫瑰与蔷薇 Rosarubus: My first roses of 2021
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图文作品 Photo｜胭脂荼蘼：冬后第一批玫瑰与蔷薇
作品：《春日印象：芍药葳蕤，百岁华之》3
Blooming Spring｜Peonies, with their luxuriant beauty, bloom for a hundred years.
50x50cm 油画画布 Oil on canvas/混合材料 Mixed materials
艺术家 Artist: lilyma马莉 2025年
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2025
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刊登Published｜ART TRENDS：芍药葳蕤，百岁华之 Pivoines, éclat de luxuriance
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文Artical｜芍药葳蕤，百岁华之 Peonies, with their luxuriant beauty
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文Artical｜减肥太难，自律反人性，这事儿最纠结 Self-Discipline vs. Human Instinct
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图 Photos｜春色满园 Where Spring Spills Everywhere
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文Artical｜芍药鸢尾牡丹季节，春色如此娇美 Peony, Iris, and Tree Peony Season
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文Artical｜红玫瑰，丝绒一样的花瓣——像指尖划过的肌肤 Red Rose, velvet-like petals, like fingertips brushing over skin
作品：《粉红沙滩》｜Pink Beach No.51
100x100cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2025
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图 Photos｜粉红沙滩 Pink Beach 51
作品：《春色｜玉兰花》4
Spring Flora Lexicon｜Magnolia
24x30cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2026
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2026
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图 Photos｜春色满园 Where Spring Spills Everywhere
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刊登Published｜ART TRENDS：Lilyma, Drinking Rice Wine and Painting ｜法国《艺术趋势》杂志
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图 Photos｜春色｜玉兰花 Magnolia 1
作品：《春色｜玉兰花》5
Spring Flora Lexicon｜Magnolia
50x60cm 油画画布 Oil on canvas
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜玉兰花 Magnolia 5
作品：《工作室里的双色朱槿花》 4（写生）
The Red and Pink Hibiscus in my studio have bloomed(Sketch)
50x20cm 水彩 Watercolors/ 墨水 Inks/ 丙烯 Acrylic
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜工作室里的双色朱槿花 4
作品：《工作室的粉色朱槿花开了》 2 （写生）
The pink hibiscus flowers in the studio have bloomed(Sketch)
25x21cm 水彩 Watercolors/ 墨水 Inks/ 丙烯 Acrylic
艺术家 Artist: lilyma马莉 2026
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文Artical｜访谈｜陈世海《回眸》第一集：lilyma马莉（下）
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文Artical｜创造美好的环境 Create a wonderful environment
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图文作品 Photo｜冬日工作室的花儿 My Winter Studio Flower
作品：《夏花：浸上花香作衣裳》7
Lush Summer Blooms｜In the company of flowers, immerse oneself in their fragrance and make it one's clothing (Rose Sketch)
26x38cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
作品：《春色：人间尤物》写生3
Spring Flora Lexicon: The Stunning Beauties (Sketch)
38x26cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
刊登 Publish｜法国《ART TRENDS 艺术趋势》杂志 2025
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图 Photos｜春色｜人间尤物3 （朱槿芍药牡丹玫瑰鸢尾）
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文Artical｜芍药鸢尾牡丹季节，春色如此娇美 Peony, Iris, and Tree Peony Season
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刊登Published｜ART TRENDS：芍药葳蕤，百岁华之 Pivoines, éclat de luxuriance
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文Artical｜芍药葳蕤，百岁华之 Peonies, with their luxuriant beauty
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文Artical｜红玫瑰，丝绒一样的花瓣——像指尖划过的肌肤 Red Rose, velvet-like petals, like fingertips brushing over skin
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文Artical｜轻风细语，花间一壶酒Yellow Rice Wine Inspired, Whispering Flowers
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文Artical｜访谈｜陈世海《回眸》第一集：lilyma马莉（下）
作品：《紫气东来：南特街上紫色鸢尾和薰衣草》
Purple Mist: On the streets of Nantes, I saw purple irises and lavender
51x36cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
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图 Photos｜紫气东来：南特街上紫色鸢尾和薰衣草
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文Article｜会飞、会呼吸、自由的紫色和蓝色 Winged, breathing, free —purple and blue
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图文作品 Photo｜紫气东来，lilyma马莉的鸢尾世界 Irises
作品：《紫色鸢尾》 47
Purple irises
26x38cm水彩 Watercolors/ 墨水 Inks
艺术家 Artist: lilyma马莉 2026
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图 Photos｜春色｜紫色鸢尾 Purple irises 47
作品：《牡丹芍药合集》1
PEONIES No.1
31x41cm 水彩 Watercolors
艺术家 Artist: lilyma马莉 2025
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图 Photos｜我的牡丹，花开富贵，国色天香
作品：《秋日印象：秋高气爽好天气 工作室的花儿》2
Autumn impression｜The Stunning Beauties in my studio
40x40cm 油画画布 Oil on canvas/混合材料 Mixed materials
艺术家 Artist: lilyma马莉 2024-2025
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评论Comment｜lilyma 马莉特刊丨从舞台到画布：在跨界中绽放的绘画
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文Artical｜2025年的第一篇，生活不免有种粗狂的精致 My life started with rough delicacy
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图 Photos｜春色满园 Where Spring Spills Everywhere
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文Artical｜芍药鸢尾牡丹季节，春色如此娇美 Peony, Iris, and Tree Peony Season
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文Artical｜红玫瑰，丝绒一样的花瓣——像指尖划过的肌肤 Red Rose, velvet-like petals, like fingertips brushing over skin
作品：《2022年的第一朵玫瑰》写生
The first rose of 2022 (Sketch)
A4 水彩 Watercolors
艺术家 Artist: lilyma马莉 2022
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文Artical｜2022年的第一朵玫瑰 The first rose of 2022
特别支持 Special Support
《春色》活动团队 Team
艺术顾问 Art Consultant
单钰 Shane
策展人、艺评人、自媒体博主。毕业于中央美术学院艺术管理系；韩国美术学博士生。拥有画廊、媒体、美术馆、拍卖行等艺术全领域从业经历。
Shane is a curator, art critic, and social media blogger. He graduated from the Department of Art Management at the Central Academy of Fine Arts and is a doctoral candidate in Fine Arts in South Korea. He has experience working across all art-related fields, including galleries, media, museums, and auction houses.
特别支持 Special Support
资深传媒人，黄酒大匠。蝉联2023/2024【福布斯中国杰出匠】，系中国黄酒界唯一；義笙萬冬酿花雕创始人、出品人、酿酒人
Mr. Chen Shihai is a veteran media professional and a grand master of Huang Jiu (Chinese Rice Wine). He was consecutively honored as a Forbes China Outstanding Artisan in both 2023 and 2024—the only recipient from China's huangjiu industry to date. He is also the founder, producer, and chief winemaker of YEE SUN WINE Winter-Brewed Huadiao (Huadiao being a premium variety of aged yellow wine).
策展人 Curator
毕业于上海戏剧学院导演系，北京大学艺术管理系。
艺术策展人、制片人、导演、演员。
Graduated from the Directing Department of Shanghai Theatre Academy and the Department of Arts Management at Peking University. Art curator, producer, director, and actor.
策划人 Planner
张桂彬 Zane
NON艺术空间 主理人
NON Space Owner
特别支持 Special Support
中国内地影视演员、导演
代表作《伪装者》、《曙光》、《左耳》、《志愿军》、《功勋》、《猎屠》
Chinese mainland film and television actors and director；
Representative works: The Disguiser, Dawn, The Left Ear, The Volunteers, Medal of the Republic, and The Hunt.
纪录片 Documentary
陈恩及 Chen Enji
上海籍摄影师、纪录片导演
Shanghai-based Photographer and Documentary director
